Showing posts with label Bryan Thomas Schmidt. Show all posts
Showing posts with label Bryan Thomas Schmidt. Show all posts

Sunday, February 12, 2017

What I wrote in 2016

I'm making a note here of the short stories I had published in 2016 for those of you who are planning to nominate for the Nebulas, Hugos or any other similar recognition.

My novel "Another Girl, Another Planet" was published after the start of the year, so it's not eligible this year - although, of course, I strongly recommend you buy it!

Here is the rundown of my nine short stories published in 2016:

1. “Captain of the Clouds” – Aurora Wolf, January 2016

The year started out right with the publication of my alternate history "Captain of the Clouds" on January 1st by the ezine Aurora Wolf.

"The Second Confederacy used unremarkable biplanes to patrol the border, but the greater Texas Republic used helium-filled dirigibles on its side of the Mississippi River—and Billy Greer knew each one by sight.

"The airship on patrol that summer along the Mississippi-Louisiana border in 1936 was the Gov. Ferguson. During the summer Billy and his friends would wait every afternoon to see it float past Natchez.  This afternoon, though, Billy was alone.  Some of his friends had been distracted by a report of a dead cat run over on a nearby street.  Billy took advantage of being alone to do something he’d been wanting to do for a long time."

The POD in this alternate history is that the great Spanish Flu epidemic after World War I carried off a third of the U.S. population as opposed to maybe three percent in real life (one-third off all Americans did get sick, so the one-third figure is not unreasonable if the flue had been universally fatal).

As a result of the great death toll the U.S. falls apart into a number of smaller entities, with both the Confederacy as well as the Republic of Texas rising again.

The "trick" in the story is when you realize who the "Captain of the Clouds" is in our timeline.

INSPIRATION: "Captain of the Clouds" was both a patriotic movie and song title from 1942.

You can read the story online here.



2. “Higher Powers” – Sci-Phi Journal, February 2016

He read the label on the wall:

“Warning: Maximum life support duration for escape pod: 72 hours.”

It was now more than 80 hours since he fell into the pod as the ship decompressed.

Reeves looked around.

“Is there anybody out there?” he said softly.

Running into a black string was the only thing that could have caused such a sudden and catastrophic ship failure. The only reason he was alive was that he was adjacent to an escape pod when the alarm sounded.

It was hard to believe, as fast as the ship was destroyed, that any emergency beacons were deployed. There was no sign anyone else escaped. No com chatter, no signs of other pods.

He was all alone with no hope of rescue.

One of my few forays into space-based stories of any sort, "Higher Powers" was published on Leap Day, Feb. 29. In it, I explain how an alien race might regard the human ritual of prayer.

INSPIRATION: The hymn "This World Is Not My Home" - referenced in the story.

You can read it online here

3. “The Milky Way Dance Hall” – Decision Points anthology. May 2016

Light pollution.

We didn’t have any of it back then.  

Heck, we were lucky to have lights.  I was still in junior high school when the REA ran electricity to the farms in Franklin County.


When I was in high school, there really wasn’t anything for teenagers to do there.  Drive-in movies were popular, but we were much too small to have one.  The nearest was one county over, in Mount Pleasant.

There was absolutely nothing in between the two cities. There weren’t even any farms; the power company held the land for the lignite underneath.  So it was completely black, and boy, did the stars shine at night.


There was this one farm-to-market road than ran through that wilderness, between us and Mount Pleasant.  Late at night, after all the adults thought us teenagers were in bed, a bunch of us would sneak out there.  It was the flattest stretch of road anyone had ever seen--smooth as a glass dance floor. And that’s what we used it for.  

Picked up by Bryan Thomas Schmidt for his YA themed anthology "Decision Points", in keeping with the theme, it tells of a fateful night when a teenager on a date must make a painful decision in the wake of an alien encounter.

INSPIRATION: Personal anecdote told to me by Ralph K. Banks, who is credited in the introduction to the story.

You can buy the book here.

4. “Lone Star, Lost Star” – Fiction on the Web, July 31, 2016

I was standing almost smack dab in the middle of State Line Avenue, looking across the street at the Baptist bookstore - where I had parked - with a six pack of Coors in my hand, when Texas disappeared. 

I am quite familiar with what happened, yes. 

If I hadn't had to wait for a car to pass, I would have already been on the Texas side of the street when it happened. I hold the record for the person who was closest to Texas who didn't disappear with it. 

I was so shocked I almost fell into the abyss, but the enormous thunderclap that accompanied its disappearance as the vacuum collapsed knocked me backwards flat on my ass. I clutched the ground face down as the wind rushed in to fill the empty space. The beer went flying and one can rolled towards the car that had just passed me. 

The driver came to a tire-squealing stop. The car was buffeted as the wind rushed past into the space where Texas had been. I lay as flat as I could and clutched the asphalt. 

After what seemed like forever - but was really only a couple of minutes - the wind subsided. The driver looked shocked as he exited the passenger side. He looked over his roof and then looked at me. 

"What the fuck just happened?" he asked. 

People were streaming out of the shopping plaza on the Arkansas side of the street, including the liquor store I had just left, and rushing to the edge of the vast empty space. 

As we found out later, everything that had been Texas was gone down to a depth of 150 feet below sea level. 

This story was written as a submission for an anthology with the theme "No shit, I was there", but wasn't picked up. Instead it was published by the U.K. based ezine Fiction on the Web.

INSPIRATION: Anthology theme.

You can read it online here.

5. “The Yellow Flag” – Sci-Phi Journal, August 2016

Chris looked around into the darkness. “Something is out there.”

“Grab the camera,” said Pete, as he began to wave a hand-held detector around.


When Chris came back to him, Pete pointed. “Whatever it is, it’s that way. Turn on the camera light.”

The paid began to walk across the tall prairie grass. Pete frowned as the signal grew stronger and louder.

“This is like a reading for an electrical power plant,” he said. “You sure there’s nothing out here?”

“The nearest ranch is over 20 miles away,” said Chris. “This is protected federal prairie land. It took me six months just to get the camping permit.”

“What the fuck is that!!!” Pete shouted.

Chris froze and let the camera fall off his shoulder.

Ahead of them, a dull reddish glowing disc-like object rose into the dark sky.

“Run!” Chris shouted.

They turned, but didn’t get far.

This is the story I wrote, submitted and had accepted in four hours, a record which I think will be hard to break. It offers a plausible - and to some people, obvious - answer to the Fermi Paradox.

This was also my 100th published short story since 2003.

INSPIRATION: Fermi's Paradox.

You can read it online here.

6. “And He Threw His Hands Up in the Air” – Siren’s Call, No. 28 August 2016

Modern civilization started in ancient Mesopotamia about 10,000 BC -- you read that in a history book, didn’t you?  That was about the time agriculture was invented, too, wasn’t it?


Allow me to set the record straight for you -- although no one would believe what I’m about to tell you if you repeated it.  Oh, about 10,000 BC, maybe we could say civilization was restarted,  and agriculture was reintroduced.  I should know--I was there when it stopped in the first place.

In fact I was an eyewitness.

Talk about agriculture --our office park sat in a beautiful green valley; from my observation post I could see corn flowers across the highway, and cattle grazing in a nearby field.

The mutated descendants of those cattle were among the few animals that survived the devastation caused by the war.  They grew gnarled and woolly to survive to survive the nuclear winter; it still pains me to see an American bison, even if only on a nickel.

Another one of my secret histories about Atlantis and ancient civilizations, this short tale explains how the image of The Burning Man is embedded in our subconscious.

INSPIRATION: The Burning Man Festival.

You can download a PDF of the issue here.

7. “Time Like a Rope” – Silver Blade magazine, October 2016

Time is like a rope.  –  Ray Bradbury

This is a story about how I traveled along a loop in the rope of time. It starts with what I was told by the little old lady in Pasadena.

Okay, I know you are hearing that Jan and Dean tune in your head. No, it wasn’t that little old lady. Yes, she was a little old lady, but she was English, and I met her in Pasadena, Texas. It’s a suburb of Houston, where I grew up. I was fresh out of the UT journalism school, on my first newspaper job. They didn’t trust me with any hard news stories back then.


The managing editor called me over to his desk. “We have a local hookup with the 70th anniversary of the sinking of the Titanic,” he said. “There’s a woman living here now who is a survivor of the sinking.”

“Wow, how old is she?”

“She’s 82. She was saved in a lifeboat with her English family. She later married a petroleum engineer and moved to Texas. She didn’t like to talk about her experience on the Titanic while her husband was alive—she said it bothered him to hear about it—but she’s widowed now and living alone in Pleasant Estates.“

“That’s a real link to history,” I said.

He handed me a slip of paper. “Here’s her address and phone number. Her name is Nancy Atkins.”

The sinking of the Titanic is one of those events we keep going back to. In this case, I composed a tail biter of a story where the narrator realizes by the end he is just one strand in that rope of time.

INSPIRATION: The Ray Bradbury quote that starts the story.

You can read it online here.

8. "Three Twilight Zone Variations on a High School Reunion" - 3rd Spectral Book of Horror Stories, Oct. 31, 2016

He faced the fountain in the center of the atrium.  "It was sitting right over there that Joyce dumped me." 


The retired teacher knitted her brow.  "Joyce Mann?" 

The author grimaced.  "Sho 'nuff, Mrs. Lennon.  That's the reason I went to college in Texas, rather than staying close to home," he said.  “I wanted a change of scenery.”

She looked at him.  “It must have hurt.”

“A lot,” he said.  “It still does.”

He walked briskly across the atrium.  “And I remember how, when we both stood up, we were both so mad, and she took off in one direction, and I went the opposite way, and when I rounded the corner...”

"Stop!" shouted the teacher.  “There’s scaffolding!” 

The author struck his head on a protruding plank, and fell to the ground unconscious.

An uncommon foray for me into the peripheries of horror, this is really very much a Twilight Zone-type ghost story - the ghosts being teenage angst. Joseph Rubas picked this up for his U.K.-based horror anthology.

INSPIRATION: A real visit I made to my old high school in 2013

You can purchase it here.

9. “If You Were a Dinah Shore, My Love” – Gallery of Curiosities podcast, Dec. 26, 2016

Jack was seething.
 

The other nightclub owners always said he was a two-bit.
 

He’d been trying to get some respect from the Dallas mob for 16 years – with no success.
 

“Big Boy” Louie Campari had just dropped in for drink. On the way out, he looked at Jack’s “Teresa Brewer” on the stage.
 

The clone was warbling “A Sweet Old-Fashioned Girl.”
 

Campari sneered.
 

“Couldn’t afford anything better, eh?”
 

Jack watched him walk away, and clutched his fists in barely suppressed anger.
 

The son-of-a-bitch was right. He couldn’t afford someone from the top ranks of entertainment.
 

A Doris Day clone, or a Patti Page clone. Now THAT would be class.
 

He didn’t have the money.

Basically a feghoot played off the title of another spec fic story from a a few years ago that I really got sick of hearing about, I decided to exorcise the original title by writing a flash story to purge it from my brain.

Ironically, it turned out pretty good, and was sold to the Curious Gallery podcast, and so became my first original publication via podcast.

INSPIRATION: Rachel Swirsky's story, "If You Were a Dinosaur, My Love" - obviously.

It was the second story in a double bill; you can listen to it here. My story starts at 19:30.


Saturday, December 07, 2013

It's book bomb time!

It's book bomb time for the brilliant new Space Opera anthology "Raygun Chronicles: Space Opera For a New Age". It's release day was Tuesday, Dec. 3, so this is the first weekend you can log onto Amazon and buy your copy here:

If you haven't read about it already, here is the cover blurb:

"A school teacher who moonlights as an assassin, a corporate agent kidnapped and faced with a man she never wanted to see again, galactic knights and pilots defending the spaceways, a black bear who wants to be a priest, and a time traveler who discovers he was born a prince - these and more tales await you inside "Raygun Chronicles: Space Opera For a New Age", a collection of new tales in the Golden Age style.

"With larger than life heroes, rayguns, space ships, robots, pirates, romance and more, here come 25 new tales of great fiction from top names like Seanan McGuire, Kristine Kathryn Rusch, A.C. Crispin, Allen M. Steele, Mike Resnick, David Farland and more. Strap in, set your weapons, and get ready for a fun ride!"

My contribution is a reprint of a story that was originally published in Raygun Revival in 2009. Writing on the Amazing Stories blog, reviewer Keith West said:

"Lou Antonelli is a northerner who lives in Texas these days and mines the history and folklore of his adopted state for his fiction, fiction that’s unique and unlike anything being written by anyone else. In “The Silver Dollar Saucer” he takes a couple of two bit desperadoes on a flying saucer ride."

Other reviewers report:

"RAYGUN CHRONICLES breathes supercharged life into the space opera genre with exciting and inventive new tales by a superb line-up of writers. This is why science fiction will live forever!"--Jonathan Maberry, New York Times bestselling author of "Patient Zero".

"RAYGUN CHRONICLES is an impressive anthology with an impressive list of contributors, a real showcase of the color and scope of what science fiction can be."--Kevin J. Anderson, New York Times bestselling author of the "Saga of Seven Suns".

"Wonder, adventure, romance, humor-space opera delivers all of these, and this anthology brings together some of the finest talent in the business. Strange new worlds await. So lower your shields, engage your thrusters, and prepare to jump to warp speed!" -- Dave Wolverton, New York Times bestselling author of "Star Wars: The Courtship of Prince Leia".

"These stories bring the reader back to the days when we dreamt of blasters and flying cars. Golden age space opera fun with a strong Western feel." -- Alex Shvartsman, Editor "Unidentified Funny Objects".

Thursday, November 21, 2013

While we're on the subject...

...of the "Raygun Chronicles" anthology, I should also pass along more information received from editor Bryan Thomas Schmidt:

"Amazon put the hardcover up for preorder last week, to my surprise. At 33% off, it's cheaper than I can sell you extra copies.

"We had a very successful launch at OryCon with a few backers present and several contributors and me. We signed and sold a bunch of books and even did a signing the next day at Powell's, a huge SFF bookstore in Portland.

"Meanwhile, I am going to target a book bomb wherein we have a release week and get everyone who buys to buy that week so we can get a boost in Amazon rating and visibility that will carry over. More on that soon."

Saturday, September 14, 2013

Bryan, Alex and Maurice

I'd be remiss as I recap my WorldCon weekend not to mention my roommates in Room 1820 of the Marriott Rivercenter Hotel.

The room was reserved by Bryan Thomas Schmidt, who I have been dealing with this year because of my participation in the Raygun Chronicles anthology. Bryan posted on Facebook a number of months ago that he would be looking for roommates. When I realized I would be going to the convention, I asked him if he still had space. He said I'd be the third, Alex Schvartsman was also on board.

Just before the convention he mentioned Maurice Broaddus was also going to join us. That made four people with two beds and a cot, but that didn't particularly bother me, especially since I am a very sound sleeper and easily sleep on the floor - as I did Thursday night. As it happened, everyone's schedule was so staggered that at any given time anyone could find a bed space.

When I arrived at the hotel at about 8 p.m. Thursday, when I went up to the room, Maurice and I arrived at the door at the same time! I'd never met him before, so we exchanged greetings and then went off our respective ways.

Both Bryan and Alex were in the room when I came back just before midnight. Bryan traveled from Kansas, Alex from New York - Sheepshead Bay, Brooklyn, to be exact. I had never meet Bryan in person; I'd heard of Alex. Both are dedicated anthologists, and they talked "shop" a lot for a couple of hours; I'd chime in occasionally with a comment of observation. They both are much more involved in the genre than I am.

They are also both friendly, nice guys. Alex imported a brown paper sack of authentic New York bagels from his neighborhood bagelry, which I appreciated. Having lived in New York City in the 1970s and 1980s I remember what real bagels were like*.

I snoozed on the floor that night; what discomfort I suffered wasn't from the floor, but from the fact my legs were sore from the long drive. Come the morning, we saw that Maurice never came in and the cot was unused. Bryan had commented that Maurice kept hours like a vampire, and he was sorta right. I didn't see Maurice much, but he was pleasant and friendly when we chatted. He had traveled in from Indianapolis.

I never spent any time except in passing during the con with Bryan; Alex came to the Sidewise Award presentation Saturday. He's the one who took the photo of Rick Wilber, Cat Valente and myself that's in the previous post.

We were all pretty busy, so that's not much of a surprise our paths didn't cross that much. We also all have our own friends. The event we all might have been expected to attend together - the Hugo Awards - I skipped because I decided I needed to do hydrotherapy in the hotel pool, or else I would be very uncomfortable driving home Monday.

I have Type II diabetes, and as a result I have neuropathy in my feet and muscle weakness in my legs. I try to be very careful in caring for these conditions. As I mentioned before, my legs were sore after the six hour drive to San Antonio; by Sunday things were only worse after all the walking entailed at the convention. I realized if I didn't do something pro-active Sunday, I might have difficulty driving home. The Hugo Awards were the logical time to hit the pool; my presence wasn't going to make much of a difference, anyway.

* Alex mentioned that because they were genuine freshly made bagels, they had no preservatives and would go stale quickly, and he was right. By Friday afternoon I "had" to east the last two because they were rapidly fossilizing.

Sunday, February 24, 2013

Raygun Chronicles

I want to essentially turn my blog today over to a good cause, the kickstarter campaign for the anthology Raygun Chronicles planned for publication later this year by Every Day Press. Editor Bryan Thomas Schmidt asked me if he could reprint "The Silver Dollar Saucer"; it was originally published in Ray Gun Revival in Jan. 2009.

There are eleven days left in the kickstarter campaign, and it is only at 42 percent of its goal of $8,000, so it's time to crank up the volume. Bryan send out a message via Facebook this weekend, and it bears repeating:
---
Friends & Family: I need your help. Since I was a kid, I fell in love with space opera old style and that's why I wrote THE WORKER PRINCE, which got Year's Best Mention from Paul Goat Allen at B&N, and why I have remained a fan of Firefly, Star Wars, Star Trek, Farscape, Space: 1999, etc. all my life. But RAYGUN CHRONICLES, my project to bring back that kind of fun stories needs help. We have amazing talent involved. Big name pros like Kristine Kathryn Rusch, Dean Wesley Smith, Seanan McGuire, Robin Wayne Bailey, Brenda Cooper, Allen Steele, Mike Resnick, and Ann Crispin, and established talents like Michael Merriam, Peter Wacks and Author Lou Antonelli. But what we don't have is funding. We have $2830 in 4 weeks from 137 awesome people. We have amazing artwork, amazing t-shirts and rewards, but if we don't hit $8000 in 13 days, none of it happens. Projects like this are passion projects but also have opened doors for me as a professional to make a living and recover from my financial and life crises of the past four years, so I'm asking you to kindly take a look and think of someone you know, yourself or a friend, who would enjoy this, then back it and spread the word. For as little as $5 you can get the book. But it won't happen without you. If it doesn't fund, I won't have time to mount another for release this year either. So we need your support, and I hope you'll consider it. Thanks much, Bryan
---
If you're turned off by the run-of-the-mill dystopian crap* that dominates s-f today, here is an opportunity to vote with little green ballots and strike a blow for true forward-looking fiction. The kickstarter web page can be found here.

* "The future's gonna suck and you do, too."

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