Showing posts with label SASS. Show all posts
Showing posts with label SASS. Show all posts

Sunday, August 03, 2014

The SASS panel

Lou Antonelli, Scott Cupp, Bill Crider and Rie Sheridan Rose
Photo by John Husisian
The panel on SASS that was held at ArmadilloCon on Saturday, July 26, was the first event of its kind. I thought I’d take a few minutes to put down a report from what I recall. I didn’t take any notes at the time, I concentrated on participating in the panel.

The convention was held at the Austin Omni Southpark Hotel; this panel was held at 5 PM Saturday in the conference center. I would estimate they were about 15 members of the audience. The panelists were Scott Cupp, Bill Crider, Rie Sheridan Rose and myself. There were two members of SASS in the audience, Stony Compton and John Husisian.

We had free copies of “Rebel Moon” graciously donated by Bruce Bethke, co-author with “Vox Day”, to hand out to all participants.

Scott was the moderator and after allowing us introduce ourselves he explained what he found especially attractive with the organization was the support and member mentorship it offers.

Panelists didn’t really want to mention any other writers groups, but the pro group SFWA was hard to avoid. Scott specifically mentioned how sometime in the past he had looked into joining the SFWA and despite mentioning his publishing credits and honors, was basically told “we’ll get back to you.” He decided after that kind of interaction he really wasn’t interested in becoming a member.

Scott’s comments brought up the topic of snobbery which was a hard subject hard to avoid in the context.
I told how I ran for an SFWA office and was attacked because in my biography I referred to my dogs as my adopted “Canine American children” and I was accused of being disrespectful to the ethnic identity movement. That got a good laugh from the audience.

I explained my motivation for helping organize the group came from my interaction with professional writers. The SFWA  is an organization really geared towards people who make a living writing, and I simply didn’t feel it’s a good fit for a semi pro like me who has a full-time job and writes on the side.

Although a qualified for full membership in the SFWA couple years ago, I really don’t get much encouragement from it. I said that rather than complaining, I went to do something about it and I helped get together a group that bridges the gap from fans and aspiring writers to pros.

I still belong to the SFWA and so do a number of SASS members; most fighters belong to different groups and get different things from them.

During the introductions, Bill Crider wondered out loud why he be put on the panel — he was the only non-SASS member. But when he understood how the group was formed, he said he “got it”.  He is involved in a group that has a similar outlook for Western genre authors, the “Western Fictioneers”, that also only started a few years ago.

Rie Sheridan Rose explained how enthused she was when she learned about the group because it does not discriminate against self-published authors.

We explained we are interested in all forms of storytelling, and that includes gaming. One member of the audience pointed out that “Rebel Moon” is based on a game. Another audience member noted that we allow horror writers as members.

The panel included a nice-wide ranging discussion on a number of practical subjects, not just specific to SASS.

Audience members asked about workshops and critiquing, and one thing I said was SASS would not be part of the crab bucket affect, which so often afflicts writers groups, where everyone pulls down each other and nobody has any success climbing out of the crab bucket.

We did talk about the recently – floated idea compiling an anthology, and that met with a lot of approval. Crider said the Western Fictioneers have done that and it has proven to be so successful they don’t  even have to charge dues any more because they are making so much money from the anthologies.

Unfortunately, because of the way I had to rush to get to the convention – I worked until 2 a.m. that morning and drove to Austin starting at 7 a.m. – I didn’t have a chance to run any SASS literature off to hand out.

Saturday, July 12, 2014

Giving credit where credit is due

Apropos my Armadillocon schedule, I have to say I'm extraordinarily impressed with the programming — or at least how good they have been to me. After coming up with the original schedule, I had to tell them that because of changes in my work situation I can't attend Friday (I don't have any paid vacation time right now as a result of a change of ownership in the business where work).

They adjusted the schedule so that I have everything on Saturday and Sunday, and in place of one panel that is they couldn't replace they gave me an autographing – which is probably better for me.

One panel that I would have deeply missed was the one on SASS Friday evening, since I was one of the organizers of the writing group. But the programmers moved the panel to Saturday, so I will be able to participate!

I have to say I'm very impressed with their consideration.

Sunday, January 12, 2014

Flogging the golem

I've made an effort this Sunday and last Sunday to draw attention to "Hearts Made of Stone" and the anthology it was published in, "Song Stories". There's a number of reasons I took the time to type up over 500 email addresses to send out messages, first to SFWA Associate members on Jan. 5 and then Active members today. Here's a few:

First, I really want to commend Song Stories Press and Publisher Wakefield Mahon for making the time and effort to put together the original anthology. These kinds of projects are a labor of love, and they offer more diverse and often interesting s-f and fantasy reading material to the public. I'm glad to get more public notice for the anthology.

Second, I happen to personally like my story. Of course, all authors are supposed to like their own stories, but for some reason this one really makes me smile.

Third, as a member of the SFWA, I am able to nominate and vote for the Nebula awards. Now, one can't nominate one's own story - any publication you have a personal financial interest in - but if I am going to nominate other's people work, I'd like them to also have the opportunity to read and consider mine.

Last year Andy Duncan sent out an email soliciting support for "Close Encounters". I hadn't read the story when it was first published, so I was grateful for Andy drawing my attention to it. I read it, loved it, and nominated it. It went all the way to win its Nebula. So I have come to appreciate when a fellow author draws my attention to a story.

Good authors are good objective judges of their own stories, and I don't think anyone will solicit support for a story they don't think represents their best work. So far all the recommendations I have received this year have been spot on.

Another author directed my attention to an excellent story that was published in another small press anthology, which reminded me of the situation with "Song Stories", and made me think taking an effort to garner attention for "Hearts" would be a good idea.

A few people have expressed surprise that I belong to the SFWA when I also belong to SASS, but the two organizations have different roles, and insofar as I am not totally indigent I can afford dues for both. I get something out of both of them.

It took a number of hours to type the email lists, and after I shot I did today's mailing, I got immediate replies from a couple of people who noted I put the list in the CC slot, instead of the BCC slot, therefore allowing everyone to see each other's email. Arghh! Bonehead move, but it shows I really did it myself!

I know from last weekend a number of people read "Hearts Made of Stone" on this blog, and I hope more do so today as a result of this latest mailing. I will post a link on my Facebook page in  a few days, but since the Nebulas are an SFWA thing, I wanted to get these emails out first.

Wednesday, January 01, 2014

Burstein named president of SASS

(This has been posted in a number of other places, so I might as well post it here, too.)

Distinguished science fiction author Michael A. Burstein has taken office as the first permanent president of the Society for the Advancement of Speculative Storytelling, Inc. (SASS), as of Jan. 1, 2014.

SASS was incorporated as a non-profit group in the State of Texas on July 30, 2012. It is dedicated to encouraging and mentoring aspiring and new writers of speculative fiction. In so doing, its activities shall include, but not be limited to, keeping its members informed of issues within the field, providing avenues of constructive critique and collegial discussion for its members, and encouraging interest and appreciation for all aspects of speculative fiction in multiple media.

SASS expressly disavows any socio-political goals while asserting the right of its members to discuss and explore any and subjects in speculative fiction writing. Members are expected to be respectful of each other at all times.

Burstein leads a nine-member Board of Directors, including Vice-President Brad Torgersen, Secretary Lou Antonelli, Treasurer Shedrick Pittman-Hassett, and members at large Bruce Bethke, Dario Ciriello, Park Cooper, Liz Burton and Rie Sheridan Rose.

The group's web page is:
http://www.sasswritersgroup.blogspot.com/

Its Facebook page is:
https://www.facebook.com/SocietyForTheAdvancementOfSpeculativeStorytelling

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Information on the members of the SASS Board of Directors follows:

President - Michael A. Burstein, Brookline, Massachusetts
Michael A. Burstein is a multiple Hugo and Nebula nominee, a former Secretary of the Science Fiction Writers of America (SFWA), and a former Vice-President of the New England Science Fiction Association(NESFA) . His  first published story, "TeleAbsence," appeared in the July 1995 issue of Analog, and was nominated for the Hugo Award.  Burstein won the John W. Campbell Award for Best New Writer at the 1997 World Science Fiction Convention.

Vice President - Brad Torgersen, Sunset, Utah
Brad R. Torgersen was a winner in the 2009 Writers of the Future contest, and has been published in Analog Science Fiction and Fact and InterGalactic Medicine Show. His 2010 novelette "Outbound" won the Analog reader's poll, and his 2011 novelette "Ray of Light" was nominated for both the Nebula Award and the Hugo Award. He was nominee for the John W. Campbell Award for Best New Writer in 2012.

Secretary - Lou Antonelli, Mount Pleasant, Texas
Louis S. Antonelli's first short story, "A Rocket for the Republic", was the last story bought by Gardner Dozois before he retired after 19 years as editor of Asimov's Science Fiction. He has published 81short stories since 2003 in magazines in the U.S., U.K., Canada, Australia, and India. His time storm story, "Great White Ship", published by Daily Science Fiction in 2012, was a finalist for the Sidewise Award in alternate history.

Treasurer - Shedrick Pittman-Hassett, Denton, Texas
Shedrick Pittman-Hassett is a professional librarian and has had several pieces published in professional journals. An aspiring speculative fiction writer, he has received honorable mentions in a number of writing competitions, including Writers of the Future. He is also an avid gamer and has had two pieces published in the award-winning Knights of the Dinner Table magazine.

Board members-at-large:
Bruce Bethke - Oakdale, Minnesota:  Publisher of Stupefying Stories
Liz Burton - Austin, Texas:  Executive Editor of Zumaya Publications
Dario Ciriello – San Francisco, California:  Editor and Publisher, Panverse Publishing
Park Cooper - Austin, Texas:  Writer of prose and graphic novels, co-owner of Wicker Man Studios
Rie Sheridan Rose -- Austin, Texas:  Small press author and lyricist
-30-

Thursday, October 10, 2013

Taking care of business

I finished the mailing for SASS yesterday evening and it's in the mailbox.  It includes a newsletter and membership roster. With the recent new members who have joined, it was time to update the roster, and this is the first time a membership roster with contact information has gone out to all members. The key thing we are looking for now are volunteers for open positions on the Board of Directors, which include President and the at-large members.

I also took the time to attend to submissions, and dropped stories into the slush pile at Asimov's, Analog, and Ideomancer - a nice trio,  I should say.

Wednesday, October 09, 2013

SASS-tisfaction

I've been working for the past few days in my role as the secretary of the SASS writers' group, preparing an updated membership list and preparing for an election. SASS - which stands for Society for the Advancement of Speculative Storytelling - is a writers group that spans from fans and unpublished, aspiring writers, to genuine pros. When it coalesced last year, one requirement that was put in the draft bylaws was that it wouldn't move forward unless and until it had at least ten dues paying members. We reached that goal this summer, but since the bylaws call for a Board of Directors of nine members - four officers and five members at large - I didn't think ten members gave us enough of a pool to draw from, but we've kept getting memberships, and with a spurt of four last week we are up to 19, so its time to solicit volunteers and nominee for offices and move forward.

I've updated the membership list and I'm working up a newsletter, which will be mailed out to everyone. Although email, Twitter and Facebook are ways to communicate with people, they seem to be hit or miss - you can never tell if and whether someone saw a message. The finality and formality of paper communications still seems to attract people's attention. We have a few hundred dollars in the bank, thanks to membership dues, so paying for postage is not a problem.

Saturday, September 28, 2013

"The Killing Jar"

I was glad to learn that fellow SASS member Ed Morris has sold his story "The Killing Jar" to amagazine based in Australia. This is noteworthy because "The Killing Jar" was posted on the SASS private writers forum and critiqued. This is the first time this has transpired.

Ed posted on Facebook: "Thanks to Lou Antonelli and the wonderful feedback from the Society For The Advancement of Speculative Storytelling, I just homed "The Killing Jar." It is a ghost-story written for a girlfriend who overdosed when I was nineteen, inspired in part by John Shirley's WETBONES, and it made Lou cry. Sorta speechless about it myself."

Thursday, February 07, 2013

DDOS and a MESS and SASS

Reposted from my Facebook page from Wednesday night:


The web site for the SFWA (Science Fiction Writers of America) has been down most of the day because of a cyber-attack. The interruption apparently commenced at 10 a.m. and the site has been up and down all day The attack is called a DDOS, which I had to look up. The best explanation I read said "DDOS, short for Distributed Denial of Service, is a type of DOS attack where multiple compromised systems -- which are usually infected with a Trojan -- are used to target a single system causing a Denial of Service (DoS) attack."

The SFWA is in the process of having its annual election, and there has been some real viciousness in its forums. An officer stepped in a couple of days ago to moderate the forums, and things quieted down considerably - and then this attack happened.

Most people would assume the two things are related. I really don't know, or care. After I launched my campaign for vice president last year, and saw the way I was attacked, I stopped campaigning and helped organize a new writers group (although I remain a member of the SFWA).

SASS (Society for the Advancement of Speculative Storytelling) fills in the middle ground between people who are fans and readers, and hard-boiled pros who make (or want to make) their living as writers. It's a nice for someone like me, who has a day job.

One thing I'm proud of is SASS - which has its own Facebook page - takes a lesson from fraternal groups (such as the Masons) and specifically prohibits internal discussions of religion or politics. That way people of all faiths and political backgrounds have a neutral common ground where they can learn and encourage each other in writing and appreciating speculative storytelling.

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I shared the post with all the interim officers of SASS. Dario's comment on his own page is worthy of repeating:


Dario Ciriello: Lou, I was honoured to be invited last summer to be interim Chairman of the new SASS until (now imminent) board elections, when I will step down, and I accepted the post precisely *because* SASS expressly disavows political or religious agendas and prohibits members from doing so under its auspices. As I've frequently stated, I abhor intolerance, incivility, and proselytizing of every kind.

Even as an atheist with some ultra-liberal leanings I'm frankly amazed that everyone that happens to hail from Texas or who has strong religious views--as many of my own good friends do--is vilified by certain people in the SFF community, as was the case in this recent Tweet (names omitted, publicly searchable): "...too bad SASS never got off the ground--it'd be a great resource for identifying the racist a-holes in SFF."

Wow, sounds like someone's creating an enemies list, doesn't it? This sort of thing has disgusted me since my first Worldcon, when I saw Larry Niven booed and hissed by half the audience on a panel for simply making a rather mild joke. Intolerance, rudeness, and ad hominems disgust me whether from the far right or far left. A plague on ALL their houses.

Well, I think it's great that SASS *is* getting off the ground. A neutral, safe forum for fans, readers, and new, non-pro writers is both needed and doesn't threaten any existing organizations. Power to you, Lou.

In the immortal words of Rodney King, "Why can't we all get along?"

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