Monday, February 26, 2007

Award nomination deadline approaches

Saturday, March 3, is the deadline for nominations for the 2007 Hugo awards. Anyone who was an attending or supporting member of the WorldCon last year (Los Angeles) or is one for this year (Yokahama, Japan) is eligible to make nominations.
As an author whose first professional sale was in 2005, I'm eligible for nomination for the John W. Campbell Award. Here are the rules for that award:
"The John W. Campbell Award is given to the best new science fiction or fantasy writer whose first work of science fiction or fantasy was published in a professional publication in the previous two years. For the 2007 award, which is presented at the World Science Fiction Convention (WorldCon), the qualifying work must have been published in 2005 or 2006.
"The Campbell Award is administered by the Worldcon, but the rules for awarding the Campbell are determined by the award sponsor, Dell Magazine. Eligibility rules were changed in 2005.
"The John W. Campbell Award uses the same nomination and voting mechanism as the Hugo, even though the Campbell Award is not a Hugo. To be able to nominate a writer for the 2007 award, you must have either been an attending member of the 2006 Worldcon in Los Angeles or be a supporting or attending member of the 2007 Worldcon in Japan before Jan. 31, 2007.
"Nomination ballots must be received by Midnight (2400 hrs), Pacific Standard Time on Friday, March 3, 2007. "
Since my eligibility is based on the publication of my story "A Rocket for the Republic" in Asimov's Science Fiction, I am taking the opportunity to reprint the story again:

#

A ROCKET FOR THE REPUBLIC
by Lou Antonelli

(Originally published by Asimov's Science Fiction, Sept. 2005)

"Well, I cain’t believe you found me, way out here! I was only joshing when I told the old boys at the feed store you could come out and see me. Damn, you’re determined, ain’t you?
"I know I ain’t got no telephone. At my age, I don’t need no one bothering me, anyhows. Still, I gotta give you credit for coming way on out here. You just doubled the population of Science Hill, or what’s left of it. Which is me.
"Yep, I’m the birthday boy. Done reached a hundred. I guess that’s why you drove all the way out here. Well, I’d be inhospitable if I sent you home without at least visiting with you. We can sit right out here on the porch on this swing seat, just set your dispatch case over there on top the railing.
"What’s that picture in there? Oh, that’s a magazine. Right pretty picture. Is that a rocket ship? You read science fiction, eh? Kinda like Jules Verne and Mr. Wells? Interesting.
"Ah know you came out to talk to some old fool who just happened to reach a hundred years old. Well, Mr. Editor, how about I give you a real story? I’ve never done told anyone about this before, but maybe it’s about damn time.
"Would you believe I rode in a rocket once? Yep, and it wasn’t on TV. No, it was a lot longer ago than that. A lot longer.
"If’n you promise not to interrupt me, I’ll tell you the whole story. I don’t want no questions, because a lot of what I’ll say won’t make any sense until I finish. Agreed? Good.

#

"I was already an old man when this happened. I was a widower then. I had married late, when I was 20. That was in ’23. We married in Tennessee and came out here with impresario Hayden Edwards in ’28. We had a little one, but she weren’t but a year old when we all came down with Yellow Fever in ’30. I pulled through but my wife and the baby didn't.
"We lived in Nacogdoches, but after that I didn’t feel like keeping the farm up. So I sold it and went to hire myself out. There was talk that ferry men were needed on the Trinity River. Settlers were beginning to make their way up to Dallas. I went to live at the ferry landing on the road between Nacogdoches and Waco.
"One day I went out hunting. When I came back, the other men said Jim Bowie had come through. He was heading towards San Antonio de Bexar, where a gang of Texians were fixin’ to mix it up with the Napoleon of the West. Some of them went with Bowie.
"After he cleaned them all out, Santa Anna began a march, like he was going to clean us all the hell out of the province, too. People got the word and scooted out without their hats and bonnets. It was called the Runaway Scrape. I had holed up at the crossing. I figured someone needed to run the ferry, whether it was for Texians or Mexicans.
"Thing was, I guess that great ol’ Second Napoleon got cocky and Gen. Houston caught him napping with his arm around his yellow rose. That was at San Jacinto Bayou. That’s when Texas became a republic.
"None of the other ferrymen ever came back from the War for Independence. I guess they must have got themselves kilt. I pretty much kept up things with the help of a few hangers-on, and worked my hams raw for a good four years. Then one day a regular damn procession came down the coach road from Nacogdoches.
"There was a fine coach and seven wagons, some of the biggest wagons I had ever seen. This fellow who sounded like a limey said they weighed five to ten tons each. I just burst out laughing and told them there weren’t no way that sorry little ferryboat could haul any of them, and I asked him where the hell he was going. He said he didn’t quite know.
"He was a nice fellow, talked to me right respectful. He said he was a ‘scientist’ It was the first time I had ever heard that word. He said he needed to find a place away from any cities where he could work with his engines and apparatuses.
"I knew a farmstead that had been abandoned since the Runaway Scrape. I told him he didn’t need to go no further, I knew a place he could probably have for naught if he bothered to go back to Nacogdoches and register the deed.
"He looked at my pissant ferry and across the Trinity bottoms and said it sounded like a good idea. I took them to where the farm was.
"The teamsters left all the wagons, and rode back to Louisiana. The gentleman asked me to get up a work crew for a barn raising and I did. I got men from the ferry landing, as well from Corsicana and Tyler, and we went to sawing and pegging the largest barn we could put together. It only took a week.
"He paid everyone in new U.S. silver, and afterwards asked me if I would stay and help him at his labber-ra-tory. He’d always been civil to me, and I couldn’t see hows working for him could be worse than pulling a ferry.
"His name was Mr. Seaton. I think his Christian name was Robert, but I always called him Mr. Seaton. He was a real British gentlemen, always talked to me polite and never cussed at me.
"Mr. Seaton told me he knew the men in England who were working on the steam railroad. There were no railroads in the Republic then.
"He said he thought the railroads would be dirty and hateful, with steel rails running across the land and the steam engines putting out soot and cinders. He had a better idea, he said.
"The first time he said he thought people could travel between cities by air, I thought for sure he meant balloons. But he said he wanted to make a rocket, just like the ones they used in the Army at night, but large enough to hold people, and shoot them between cities.
"Of course, I thought that sounded like the biggest fool idea I ever heard, but when he explained it and made some drawings on paper, I actually began to believe him. He said the Congreve Rockets like they used in the British artillery could travel four miles, and if a rocket was bigger, it could farther. If it was big enough to carry people, it could go hundreds of miles.
"Instead of locomotives running past you putting out soot and cinders, these rockets would just over your head. Nobody would notice them. And they could go from city to city in minutes instead of hours.
"The biggest problem would be a soft landing, but he had designed a set of a silk canopies--I guess you call them parachutes today--that would loose and let the rocket drift down like a leaf. He sounded mighty reasonable.
"He got together his engines and equipment in the East Coast, but he figgered setting off rockets would spook the neighbors.
He thought he’d find the empty space he needed and set up his workshop here in Texas, and as large as the Republic was, it could use his service more than anyone.
"Those wagons he brought all the way from New Orleans, they had all the steel plate and boilers and engines he needed to make his rocket. And I helped him put it all together.
"Mostly, I did a lot of riveting. The winter of ’40 I kept the doors of the barn open because of the heat as I stoked the coal and pounded those rivets. Mr. Seaton was real good with drawing and explaining his drawings and so I was able to rivet and screw everything together, although I didn’t the hell understand half of it.
"He had a steam engine that squeezed air and could make it liquid. I saw him make liquid air and put it in a silvered glass bottle. He said good old gunpowder wouldn’t cut the mustard to shoot such a large rocket. But he said when you mixed the liquid air and alcohol and lit ‘em, it would burn like hell. Did, too, the time he showed me.
"Mr. Seaton never left the place and worked all hours of the day. I would go to Athens every so often and get supplies. He pretty much had brought everything he needed for the rocket ship. There was plenty of wood for his steam engine, and of course I knew how to use a still to make alcohol.
"It took nearly two whole years, but by the spring of ’42 the rocket’s nose was out a hole in the barn’s roof. It had vanes on the bottom propping it up on the ground.
"When he thought we were ready to try the rocket, we moved the equipment to the farmhouse and put it up safe.
"He had a setup in the rocket where he would sit on a seat and turn a wheel that moved the vanes on the bottom, so he could steer as it shot up. He had a second seat in front of a big mica window, maybe six inches around, where I could sit and tell him what I saw. We had belts and buckles and straps all around we could use to tie ourselves down so we wouldn’t go bouncing around like inside a biscuit tin.
"When we were ready for the big test, I have to say, I was scared, but after being with him all that time, I couldn’t let him down. So I just gritted my teeth and prayed Jesus to come down safe.
"Mr. Seaton pumped gallons of alcohol in one side of the rocket and gallons of that freezing liquid air in the other side. Then we climbed a few bales of hay and lashed ourselves inside.
"He had some kind of battery set?up to make the spark to set off the stuff, and when he threw the lever, my heart just about stopped. But we didn’t explode!
"The rocket rumbled and shook. When I looked out the window I didn’t see the barn, but I did see the trees getting smaller. It felt like lead in my chest, and I could hardly keep my eyes open, but I could see the trees like the birds see them, and I knew we were rising up. I looked over to Mr. Seaton and he had a big smile on his face.
"After a few minutes the pain in my chest let up a little, but I saw Mr. Seaton beginning to frown. I saw he couldn’t turn the wheel, and he was cussing himself. That was the only time I ever heard him cuss. I think the problem was the rocket was moving so fast the wind was pushing too hard on those vanes at the end and he couldn’t turn them.
"Finally, he called me, and I unhitched myself and scooted over to his seat. I held on to a strap with one hand and with my free hand helped him to try to turn the wheel.
"I could see Mr. Seaton begin to sweat. After a while he told me to go back to my seat. It seemed like forever, but in a few minutes later he began to turn the wheel. But I didn’t feel no difference in the rocket. And then I noticed my straps were starting to coil around me like a snake!
"The alcohol and liquid air was all burned up, so the roaring sound had let up. But then we both heard a hissing sound. I thought maybe it was something outside, so I looked through the mica window again.
"I couldn’t believe my eyes. It looked like I was looking down at a big billiard ball, but it was blue and fuzzy. It also had brown and white scum all over it.
"The hissing sound got louder. I looked down and saw I was floating two inches above my seat, like a Hindu fakir!
"I looked over to Mr. Seaton, who had his head in his hands.
"Doomed" was all he said.
"Then I realized what had gone wrong. Because he couldn’t steer, we didn’t make a big looping curve like he showed me on a piece of paper once. We were supposed to make a big lazy curve up from Texas and come down in Philadelphia - like a rainbow.
"But instead we shot straight the hell up! That billiard ball down there was the earth, the blue was the ocean and the brown and white scum was the ground and clouds.
"I knew that our doors were tight and the rivets solid, but the air outside must have been thinner than the air on top of the highest Rocky mountain, and so our air was hissing out the seams. I guess it was because our air began to get thin that we started to float around.
"I knew it was curtains for us, so I cleared my throat and told Mr. Seaton I was honored to have been his employee.
"Thank you, James," was all he said.
"I began to get real light?headed and it was hard to breathe, when I saw a bright light in the window. I thought for a second we were heading into the sun, but then the light passed us. A minute later, the rocket jolted like a giant baby had just grabbed a play pretty. Then the levers on the door began to pop. I got a buzzing in my head and just as I passed out I saw the door open.

#

"Well, as you can imagine, I thought it was the angels come for me, but when I woke up I wiggled my toes and fingers and saw I still was alive, and in the softest feather bed I ever had seen.
"The room was plain, clean and white. I propped myself up on my elbow. Then Mr. Seaton walked in a door I hadn’t noticed along with this strange fellow.
"He was tall and looked like he could be a Chinaman, but his slanted eyes were too large and he was as pale as a ghost. Mr. Seaton was smiling now and he gave me his hand so I could get off the bed. He explained the other fellow and his posse lived on another world, like ours but far away, and they used rockets not only to go between cities but worlds.
"You mean like Mars?" I asked.
Yes, like Mars," he said, "but much farther away."
"He said these fellows had like a lighthouse, I guess, out there between worlds, and the lighthouse keeper had seen us come adrift and sent out a lifeboat rocket ship.
"When I understood this, I turned and bowed with my hands together like I had seen a Chinee do once. The tall fellow bowed, too, and I thought he kinda smiled.
"Mr. Seaton said although his plan for a rocket railroad had come a cropper, he was happier now because of meeting his new friends, and during the days we were in their rocket, he spent almost the whole time talking to them.
"They were civil to me, too. I talked to them, and when they talked back at me, for some reason their voice always seemed to come from a pillbox on their arm. I don’t know why they had to throw their voices.
"I think they knew I didn’t have any book learning Anytime we talked about anything very complicated, I would lose the rabbit I was chasing. Mr. Seaton tried to explain things to me simple?like so I could understand better.
"Sometimes we could look out a window, a real big one, bigger than a window in a New Orleans whore house and see the world turning below us like a gristmill. When the clouds were sparse Mr. Seaton would point out whole countries.
"See that boot? That’s Italy."
"The pale fellows told me I could go wherever I wanted in their rocket ? which was pretty damn big, I tell you.
"One day I went by a door and saw a glow like from a fireplace, ‘cept it was blue instead of red. I thought that was peculiar and I went inside. The blue fire glow was coming out from some filigree on the walls.
"Wasn’t but a minute later a passel of the pale fellows came running in the door and they grabbed me like they was hogs and I was a pumpkin. Mr. Seaton came running in, too.
"The pale fellows tossed me right quick into a bed and stuck needles into me like I was an old woman’s pincushion. In a corner some of them talked to Mr. Seaton, who looked more worried. After all the hoorah died down, Mr. Seaton told me what the problem was.
"These fellows had a special coal that burned blue instead of red.
"Problem was, the blue fire was just as 'hot' as regular fire but you couldn’t feel it! It was just like I had stepped into a furnace, when I went in that room with the blue glow.
"He said that although I didn’t feel anything then, in a few minutes I would have shriveled up like bacon and died.
"Later Mr. Seaton told me the pale fellows realized, after I had the accident with the blue furnace, that maybe it was better I go back home.
"Truth be hold, I was getting homesick myself. Mr. Seaton said he wanted to stay with his new friends. He told me they could set me down right back where we started and soon, Mr. Seaton and I and a few of the pale fellows got into a kind of round lifeboat rocket and floated like a balloon in the middle of the night down to the farm.
"Mr. Seaton shook my hand like a brother and told me where the strongbox was with all his papers. He said I could have everything he left behind as my due for being such a good employee.
"I bounded down the steel gangplank and waved good?bye. They left like a mist in the night. There was a full moon and I found my way to the farmhouse. I lit the whale oil lamp and got ready for bed and slept in real late the next day, almost until nine.

#

"I thought we had been with the pale fellows in their rocket for weeks, but the windup clock in Mr. Seaton’s room showed we were only gone two days. The barn was still smoldering.
"I was totally flummoxed when I went through Mr. Seaton’s papers. He left me a wealthy man. He had thousands of dollars in banks in New York, Philadelphia and New Orleans. Over the next few years I used the money to hire some help and got the place fixed up better than ever.
"In ’45 news came the U.S. had annexed the Republic, which is what most people wanted all along. A widder woman who lost her husband in an Indian raid caught my eye and I took her as my wife. We had neighbors now, and when some of the people saw the books and tools that Mr. Seaton had left me, they suggested they be used for an academy.
"We set up an academy in the first floor of the new Masonic lodge and hired a schoolmaster. With the academy and all, folks began to calling the settlement Science Hill. I reckon Mr. Seaton would’ve liked that.
"Of course, I never told no one about the rocket and the pale fellows. I never got into details. People heard stories about the barn and assumed Mr. Seaton done blowed himself up. I never told otherwise.
"My wife and I never had no children, which was probably just as well. When the war started, I was 57, but I was strong and healthy and I enlisted. I guess I always felt guilty somehow about missing Jim Bowie when he visited the ferry crossing.
"During the Battle of Chickamauga I took a minie ball clean through the chest. They laid me out to die. But three days later I got off my pallet and started the long walk home.
"Everyone said it was a miracle, but I knew when I was lying there I felt my ribs and muscles knitting up. I figured the doctoring the pale fellows done to me when I had that accident in their rocket must have stuck with me for good somehow.
"I came back to Science Hill, but a lot of other men didn’t so many that the settlement began to die. It happened in many other places. By ’72 the academy had closed and the Masonic Lodge had its charter taken back.
"My wife died in ’85. By then the railroad made it to Henderson County, but it ran through Athens and Eustace and skipped clear of Science Hill. That was the end of it.
"I knew by then, after having a few accidents with a knife or chisel over the years, that I healed up quick. I also saw that I was holding up well.
"Over time, everyone died or moved on, and I was left alone in Science Hill. No one noticed I was just out here by myself. I kept up the farm fine, there was enough for me to do.
"One time, when I was almost a hundred, I was at the feed store in Malakoff getting grain for the chickens. One old boy said, 'You can’t be James Reid, you’re too young.'
"Another old boy said, 'Don’t be ignorant, you’re his son, right?"
"I agreed. Nobody knew any better.
"So over the years, I’ve used a hair dye and chin whiskers to fool people. But in nineteen hundred and forty-two, when I was in Athens, I was buttonholed by an old boy about registering for the draft. Rather than arguing, I filled out the form, straight, birthplace and all, but I put down 1903 instead of 1803.
"I reckon those records went to the historical society after the war, which is why they have me down as a hundred now. I guess it got back to you, Mr. Editor.
"When I buried my second wife I never told her what happened with the rocket and all I said to myself, if I live to be 100, I’ll never tell anyone what happened.
“Well, here I am at 200, so I guess it was about time to come clean, huh?
“You know, I heared the last time I was in town the folks down in Houston are ready to shoot off more rockets like they did 40 years ago. I wonder if they’ll run into Mr. Seaton and them pale fellows. I’d sure like to hitch a ride, and meet Mr. Seaton again, and shake his hand. Maybe I’ll ask ‘em to shoot me up there. Ain’t nothing I ain’t done before.
“Shut your mouth, son, you’ll swallow something.”

Thursday, February 22, 2007

Latest sales

Well, just after I note my publications for 2006, I get word of my first acceptance of 2007. Actually three.

"Twisted Tongue" magazine in the U.K. has accepted two short stories and a flash. They will be published the slash and a short in May. and the other short story in August.

I'm happy because this is the first time I've cracked a U.K. market.

Also, a couple of days ago I was googling around and I found a blog where some lady copied and praised "They Call It Time", the flash I had published in Alienskin in Dec. 2004. Can't find it again, though.

I'm off to ConDFW for the weekend.

Sunday, February 18, 2007

Publications for 2006

I notice that some authors about this time of year make a note on their blogs of what they had published the previous year, because of the impending deadline for Hugo nominations. I didn't have any publications in what would be considered first-rank mags during 2006, but for the record, this is what I had in 2006:

"The Dragon's Black Box" Bewildering Stories, Feb. 2006.
"A Djinn for General Houston" Surprising Stories, May 2006.
"The Runner at Dawn" - Worlds of Wonder, July 2006.
"Wish List" - Revolution Science Fiction, August 2006.
"Berserker" - OG Speculative Fiction, September 2006.
"Good Old Gal" - Nova Science Fiction No. 18 (October 2006).
"Eva" - Neometropolis, December 2006 (with Ed Morris).

Wednesday, February 14, 2007

The latest

I used to post sporadically because of time and health constraints (carpal tunnel syndrome). Now I'm ready to drop this blog because Google took it over and makes you change your account ver to them. It took me about ten minutes to figure how to long on today, with the changes and change-over. What a waste of time.

Well, here's a neat YouTube link sent to me by a family member. Hope it works, and if it does, you enjoy it.

Wednesday, February 07, 2007

Getting ready for ConDFW

The Texas Speculative Fiction Association presents the sixth year of ConDFW, a literary convention specializing in the genres of science fiction, fantasy, and horror. This year’s convention will be held February 23-25, 2007 at the Radisson Hotel Dallas North in Richardson, TX.
Honored guests at this year’s ConDFW include popular authors and artists in the field who will sit on a number of guest panels, read from their recent works, sign autographs, and be available for casual conversation with convention attendees. The Guest of Honor is the Hugo award-winning Harry Turtledove, dubbed ‘The Master of Alternate History’ and author of the Worldwar series and Guns of the South. Also featured are Emma Bull, a pioneering author in urban fantasy (War for the Oaks), and the fantasy and comic-book author Will Shetterly (Dogland). The Artist Guest of Honor is Bob Eggleton, winner of nine Hugo and 12 Chesley awards.
Returning to ConDFW are Steven Brust, author of the New York Times bestseller Dzur, Robert Asprin, author of the MythAdventures series and co-founder of the Thieves’ World series, and fan favorite John Steakley, author of Vampire$ and Armor.
Local and regional guests returning include Lillian Stewart Carl, David Cherry, Bill Crider, Carole Nelson Douglas, P.N. Elrod, and Martha Wells.
Convention activities include panels by industry pros about the business of writing science fiction and fantasy, working with independent presses, and thought-provoking discussions about trends in genre writing. For the fans, there will be Q&A sessions with their favorite guests on a variety of topics.
Fans can also enjoy visiting the Dealers’ Room to purchase rare books, t-shirts, games, costumes, and other collectibles. The Art Show features artists from around the country and attendees may view and purchase these science fiction and fantasy works. Throughout the convention, a Book Swap is available for readers to donate and exchange their used books for others; the final collection of books will be donated to a local public library. Gaming sessions will be held the entire weekend and include board and card games, role-playing games, and historic wargames.
Convention memberships start at $15 for a one-day membership and can be purchased on-site. For more information, please visit http://www.condfw.org or call Dan Robb at 972.841.4782.

Friday, February 02, 2007

Backsliding

The amount of s-f writing I've been doing may be taing its toll. The carpal in my left hand recurred this week. I may have to put the brace back on this weekend.

I got a start on my next story this week, about 1,100 words, when the wrist began to hurt.

I had come stories come back week, so I took the oppportunity to look at them again, and send a few out.

I posted Paul Carlson's story "Cavers" at Sentibel S-F this week. I ran across this note Paul put up on the Yard Dog Press web site:

"Paul Carlson sold a story to Lou Antonelli's SF ezine Sentinel at http://www.cedarhillsentinel.com/.  “He's been into SF for a long time, and is a well-known writer and fan in Texas. This is a new venture, and I'll be in the third issue. ‘Cavers’ is meant to be controversial, but we did moderate one thing. Two of my radical, time-jumping characters blew Columbus out of the water, but since Lou is Italian, we targeted them on Hernando Cortez instead.”

Yes, that is true, when he had some time-jumping characters whack Cousin Chris, I complained and he changed the story up a bit.

Not that I'm sensitive.

Latest reviews

"It’s possible that you haven’t run into the stories of Lou Antonelli. Since 2003, he’s been publishing delightful short tales of alternate history all over the nooks and crannies of the SF world. Thanks to Fantastic Books, we now have 28 of these little gems in one place. "Many of Antonelli’s stories have an unexpected twist ending. And many of them are what he calls “secret history” stories, which aren’t exactly alternate history—they’re set in our familiar history, but there’s always some element that contemporary observers missed. " -

- Don Sakers, The Reference Library, Analog July-Aug. 2014

A better path develops for a distraught man in “Double Exposure” by Lou Antonelli (debut 6/11 and reviewed by Frank D). Jake is about to end it all. He has been trying to keep his high maintenance wife happy for decades and has needed to embezzle to satisfy her spending habits. Now, on the verge of indictment and abandoned by his spouse, he buys a gun. Before he pulls the trigger, he spies a Kodak one-day photo hut. Curious, he pulls up to the window. They are holding pictures of him and his last girlfriend from 30 years before. The package is a lot thicker than it should be. Double Exposure” is listed as an Alternative History story but I would classify it as a Magical Realism tale. It is set as a second chance tale, a look into a life that should have been. The author is inspired by his memories of the old photo huts (I remember them) and of their disappearance. A cool idea (photos of another life), one that I could imagine would make for a great anthology.

- Frank Dutkiewicz, Diabolical Plots

“Great White Ship”: A traveler stuck waiting for a flight strikes up a conversation with an old airline employee. The Old Timer tells him a story of a Great White Airship that arrives from a most unusual destination. The story of a craft from an alternate reality and how it got there is only the precursor to the final act. This is one of my favorite stories from this site. I have a great passion for lighter-than-air craft and their potential as a future means of transport, which opens the story. The author uses this speculation to launch into an engaging tale. As fascinating as the main story line is, the alternate history premise that accompanies it is just as worthwhile. This story was well written and very well thought out. It is well worth the read. Recommended.

- James Hanzelka, Diabolical Plots

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